Society

Music scene provides release for stifled Belarusian youth

In a city scarred by exile and repression, one Minsk club promoter throws underground raves to help young Belarusians dance through the darkness.

With a long-renowned punk scene and an emerging nightclub industry, Belarus was rocked by a mass creative brain drain following the triple shock of the COVID pandemic, the crackdown on 2020 anti-government protests and Western sanctions after Moscow's 2022 assault on Ukraine. Though hundreds of thousands of young city dwellers left, those who stayed are picking up the pieces of the Minsk underground and providing an outlet for cultural expression. 'Even if the place empties out, it keeps on changing,' says Vadim Shulga, lead singer of the PlemYa groove metal band, adding, 'Everything's flowing and moving, but it's not yet gone extinct.' [Thomas O'Callaghan/AFPTV/Modul Art Platform/AFP]

By AFP |

MINSK, Belarus -- Gleb Gurami says the parties he organizes in a Minsk nightclub are an outlet for young Belarusians, reeling from the exodus that followed mass protests and a political crackdown in 2020.

"I think this mission of underground culture, raves, electronic music... helps a lot of people," the 39-year-old promoter told AFP at the Modul Art Platform club near the Svislach river in the Belarusian capital.

Minsk was once renowned for its punk scene, dating back to the last years of the Soviet Union and the artistic and cultural flourishing after independence in the early 1990s.

But the landscape has changed radically over the past five years.

Russian alternative rock band Fun Mode performs at a music club in Minsk on January 25. [Natalia Kolesnikova/AFP]
Russian alternative rock band Fun Mode performs at a music club in Minsk on January 25. [Natalia Kolesnikova/AFP]
Fans attend a concert at a music club in Minsk on January 25. [Natalia Kolesnikova/AFP]
Fans attend a concert at a music club in Minsk on January 25. [Natalia Kolesnikova/AFP]

Major demonstrations against autocratic President Alyaksandr Lukashenka in 2020 were put down by force, and hundreds of thousands of Belarusians -- many of them young -- fled abroad, particularly to neighboring Poland.

The country's most famous band, Bi-2, de facto no longer may perform in Belarus or Russia and tours internationally to audiences of exiles.

In Belarus, many musicians have been persecuted for their support of the anti-Lukashenka protests or their opposition to Russia's invasion of Ukraine in 2022, which the Minsk government backed.

Additional Western sanctions have further isolated the country.

Gurami said he wants his wild club nights to "give people a chance to relax" so as to avoid "depression."

"People should not have to suffer because of stories that do not depend on them, their opinions, their points of view or their preferences, especially in art and music," he said.

'Censorship'

"A lot of bands split up after 2020," said singer Vadim Shulga.

His band PlemYA was founded 10 years ago and used to play in "Poland, Romania... just about everywhere."

The 46-year-old said that of its original seven members, only two remain.

"Now we perform only in Belarus or Russia," he said bitterly.

With fewer touring opportunities, it is hard to make a living.

"Abroad, we used to earn €1,000 or more" in fees per concert, compared to just "$100 to $150" (€88 to €132) now.

He said the music scene in Belarus "has not disappeared" but that it is hard not to be affected by the tensions in a tightly controlled society where the authorities can decide whether bands are allowed to perform.

"There is a certain amount of censorship," said Svetlana Ramonka, a concert organizer in Minsk.

"Before, it was easier. Now it's a bit more complicated," she said.

Invisible wall

At a concert by a Russian alternative rock band in Minsk in January, organizers sold 260 tickets priced between €25 and €40 each.

"We're delighted to see you," the singer told the crowd in the trendy bar.

The youthful audience members, many with beer in hand, swayed to the music.

They jumped, sang and hugged each other during an hour and a half of respite from an oppressive reality.

After the gig, Artyom Golovaty, a 21-year-old geography teacher and "big fan" of music, said he was pleased that "more gigs are being organized."

"Those who wanted to leave have left. In any case, if there's a gap, we can always fill it," he said.

Gurami said he wants to face the future with "hope," imagining a world in which Belarusian artists can once again perform in Europe and vice versa.

"I hope we will manage to break down this invisible wall," he said.

Do you like this article?


Captcha *